暂无简介
该剧改编自人气日漫《监查役野崎》，讲述泡沫经济崩盘后，在金融当局转换既有政策的物欲横流的时代里，银行员野崎坚持正义的故事。
刘浩近期喜事连连，不仅竞聘上物业分公司副经理，而且在所工作小区买到一套理想的房子，他和新婚妻子柳依依本以为从此过上了幸福生活，结果却发现倒霉的日子从此开始。搬进新房不久，对门周大妈旅游回来，老太太性格古怪，儿常年在国外，一个人与大狗老三相依为命。老三是小区一害，之前就有“案底”，回来后更是惹事不断，先是咬伤居民江大妈，然后又将胡大爷的小狗咬伤，晚上更是吵得柳依依无法入睡。严重失眠的柳依依愤怒之极，搬回集体宿舍，而江大妈和胡大爷等人为了赶走老三，更是大闹物业，还找来了电视台评理。为了不影响物业公司形象，领导要求刘浩限期解决这个棘手难题。为了解决老三问题，刘浩想尽各种办法，但却毫无效果，反而把事情越弄越乱。最终被逼无奈，他雇狗贩把老三临时绑架，试图暂缓局面，结果倔强的周大妈却发誓要找到老三，并拉着刘浩不分昼夜四处找狗，刘浩的工作和生活更是彻底混乱……找狗的过程中，通过与周大妈的不断接触，刘浩渐渐了解了一个空巢老人内心的孤独与凄苦，对老人从最初的厌烦渐渐转变为理解和同情，最终不仅救下了试图轻生的周大妈，而且用自己的努力缓解了老人与子女的关系，并帮助老人走出了内心的孤独，最终融入到社区这个大家庭当中。
小明出生在普通的工薪家庭，妈妈是商场售货员，爸爸是一名普通会计。妈妈为让儿子将来出人头地，整天忙着给小明报各种的培训班，刚上二年级的小明苦不堪言。小明在班上学习成绩属中游水平，他最喜欢的是漂亮和气的小李老师。毎当到了晚上，就会发生一件怪异的事儿，入睡后的小明会被一双无形的大手拽进墙里，墙里住着无所不能的王猫，它能让小明出现在任何他想要到达的地方，这让小明惊喜万分，王猫还能让时光倒流，让做过的事情重新开始，并让小明进行奇特的“生活体验”。小明对王猫崇拜的五体投地，常常把白天人间发生的事情讲给它听，但王猫却有自已的主意...... 本片获首届中国动画成就奖提名。
方木是绿藤市公认的犯罪心理学天才，在与警察邰伟联手破获一起离奇的校园连环杀人案中，经历了他一生难以弥合的创伤，因而颓废沉沦，甚至自欺欺人地选择将一切遗忘。然而魔鬼的挑衅却从未停止，又一起神秘的连环凶案让方木身陷囹圄。他不得不撕开自己永远不愿面对的伤疤，凝视自己内心的心理罪，与身份诡秘的魔鬼缠斗……罪犯心理到底藏着什么样的秘密？凶手为何与自己的黑暗面如此相似？魔鬼与天使的分界为何不再清晰？方木被迫站在了宿命的十字路口……是凶手更加狡猾冷酷？还是方木更加深不可测？一场天才之间以死亡作代价的猫鼠游戏已经展开，答案你永远猜不到……
ABC续订《神盾局特工》第五季。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
维杰（阿贾耶·德乌干 Ajay Devgan 饰）和妻子娜蒂尼（施芮娅·萨兰 Shreya 饰）结婚多年，将两个女儿安久（伊西塔·杜塔 Ishita Dutta 饰）和安努（莫伦诺·贾达夫 Mrunal Jadhav 饰）抚养长大，一家人过着宁静的生活，平淡之中自有真味 。某日，安久去参加野营，结识了名为萨姆（Rishabh Chaddha 饰）的男生，此时的她并不知道的是，这位看上去文质彬彬的男孩，会彻底粉碎她的生活。 撕下了伪善面具的萨姆竟然想要强暴安久，在激烈的挣扎反抗之中，安久失手杀死萨姆。维杰决定挺身而出保护他无辜的家人，自小热爱看电影的他利用从电影里学到的知识对萨姆的尸体进行了处理和掩埋，但警察的来访让这个家庭再一次陷入了危机之中。
个性莽撞的玫瑰仙子（孙俪 饰）渴望能够像紫霞仙子一样找到一世珍爱，于是从日月神灯前盗取那把曾见证旷古爱恋的紫青宝剑来到凡间，希望找到能拔剑出鞘的真命天子。山贼清一色（郑中基 饰）只想本本份份做个山贼，不料却拔出玫瑰仙子的紫青宝剑，之后俩人又意外通过越光宝盒穿越时空，亲历赤壁之战。在穿越的日子里，玫瑰仙子对于拔剑出鞘的清一色百般示爱，而一心想重新踏上穿越时空之路的清一色却对玫瑰仙子只是假意奉承，在利用玫瑰仙子从曹操（郭德纲 饰）手里夺回越光宝盒之后，他毅然弃玫瑰仙子于不顾，独自回到曾经。然而再次偶到玫瑰仙子之时，清一色却发现有一份爱早已在自己的心头生根发芽……
Jason Creed（Joshua Close）和一帮朋友正在森林中拍摄一部恐怖电影时，从广播上得知了死去又会活来的活死人的新闻，他们行动如僵尸，数目正如瘟疫般在迅速扩大。另一位导演Tony Ravello（Shawn Roberts）坚持认为这不过是媒体在制造新闻，但多数人都感觉到凉意正从背后袭来。胆小的男主角Ridley（Philip Riccio）率先逃往不远处自家的别墅后，一帮人跟着Jason的女友Debra（Michelle Morgan）开车去她的家。 上路没多久，他们便遇上恐怖事件，慢慢地，随着眼睛所见（世纪末景象之外，身边的伙伴变作活死人），包括Tony在内的所有人都完全相信了活死人正遍布这个世界的每一个角落，想办法自救成为他们认为的第一重要的事。然而Jason坚持不肯放下摄影机，他认为记录所看到的真相比保命更重要，媒体所发布的新闻...
数字猎凶者》由中央军委后勤保障部金盾影视中心、东阳好视佳影业有限公司、深圳市昊宇星际影视文化传播有限公司，大宋如歌影业(北京)有限公司、山东杰百旺影视文化有限公司联合出品,制片人是吴振伟、何伟铭张丽华，编剧是李克龙，还有青年导演张建康，更有韩兆、廖蔚蔚、齐志、来喜、郭金杰、陈嘉男等一批老戏骨倾情加盟,电影围绕“数字”来展开，在统计局上班的“数学天才”陈正因误打误撞协助警方破译了抢劫犯丁强的肖像秘密而名声大噪，被市民尊称为“数字侠”，然而好景不长，丁强闺女丁若冰为父报仇化身黑客“金手指”入侵刑警队电脑扬言设下隐形炸弹，一时间人心慌慌，千钧一发之际，陈正临危受命破解“金手指”设下的三组方程式……
调查人员和目击者回忆约克郡屠夫谋杀案，该案曾给20世纪70年代末的英格兰北部蒙上一层阴影。