球手们 第五季

该剧讲述了一群橄榄球员的职业生涯与私人生活。巨石强森在剧中出演一名退役的橄榄球员。夏天看这部剧再合适不过，肌肉、热血、沙滩、美女、名利场无不让人热血沸腾。激情与汗水齐飞，权力与欲望交融，HBO此剧大有看齐《嘻哈帝国》的野心。

温特沃斯第三季

女主因被控故意谋杀其丈夫进入女子监狱Wentworth，从此开始了她的狱中生活...复杂的监狱生活她该如何应对和处理……by:meijubar.net

珂赛特的肖像

　　在“香兰堂”古董店打工的美术院学生仓桥永莉，被古老雕花玻璃杯中映出的金发碧眼的可爱少女吸引，秘密地享受着与这非人幻象邂逅的愉悦。香兰堂位于善导寺商店街地中心，那里出入的都是年轻美丽的女性，然而仓桥却没有任何兴趣，只是迷恋着玻璃杯中的少女。                                                                    　　第七天的夜里，在雕花玻璃杯里，永莉看见了自己将少女杀害的幻象。                                                                    　　然后，从玻璃杯中溢出鲜血，少女的幻象实体化，迫使永莉定下契约。这个名叫“柯婕特”的少女，要求永莉救出自己在“被诅咒器皿”中徘徊的灵魂。“喝下去，如果不想分离……如果不想失去我”，永莉被柯婕特强迫，喝下玻璃杯中鲜血定下“血之契约”。                                                                    　　过了一夜，醒来的永莉已经不能再看到玻璃杯中的柯婕特的身影，于是把这一切当作是梦，重新振作，将玻璃杯卖给了暴发户的富豪。然而，去富豪家中交货时，在那里永莉看见了实体化的柯婕特。回到家中，永莉抑止不住想见柯婕特的心情，再次来到富豪的家中，然而在那里的是已变成尸体的富豪及其情人......                                                                    　　目击柯婕特临死状态的“被诅咒器皿”中的玻璃杯，吸取了富豪他们的鲜血，杀死了他们。之后，这个玻璃杯的怨念附在永莉身上，想要夺其性命......

拉贝日记

1937年，在中国南京生活多年的德国商人拉贝（乌尔里奇·图克尔 Ulrich Tukur 饰）与妻子多拉准备回国。他把在西门子中国分部担任的职务交给继承人，然而就在当天的欢送舞会上，日军开始轰炸南京城，到处烧伤抢劫，引起南京暴乱。恐慌的居民四处逃散，拉贝毅然打开公司大门 收留中国员工及其他难民。南京城的外国传教士、医生、商人们商议在南京建立一个“南京国际安全区”来保障无辜百姓的安全，拉贝被推举为主席。本来第二天决定回国的拉贝决定要留下来，去拯救无辜的老百姓。当他目睹日本帝国主义的军队对南京人民施加的惨无人道的暴行时，拉贝更加积极地与同伴们和日军斗智斗勇，试图挽救更多的生命。越来越多的难民涌入安全区，这完全超出了他们的想象。与之同时，日军的暴行更加疯狂，拉贝的人道救助引起他们的不满，安全区多次受到日军的冲击，补给变得越来越艰难。几十万的无辜百姓等待拉贝去拯救，巨大压力下拉贝怎样去完成这人性的使命？

龙女降妖记

小龙女是深宫中最受宠的格格，儿时一次偶遇，被一位世外高人收做徒弟，学了很多神奇的法术。一天，小龙女、三皇子还有师弟一起赏花，三皇子看着这眼前幸福的一幕暗中嘱咐师弟，如果他不在了要照顾好小龙女。三个月后三皇子被神龙教教主王聪儿杀害。朝野震动，皇帝因此下令捉拿神龙教主王聪儿。小龙女在殿外偷听了三哥死去的真相，开始了报仇计划。王聪儿为了寻找一柄宝剑，蒙面出现在福大将军的府邸中，传说得此剑者得天下。 小龙女等人无意中偷听到庄主与王聪儿早有勾结。小龙女和福东刚想回宫报信却被王聪儿发现了，三人打了起来，福东身受重

杀无赦III背水一战

讲述一个普通男人戴桓（丈夫、父亲、医生）与家人到澳洲度假的时候，发现酒店房间门口有一个盒子，盒子里装着一把枪、一张陌生人的照片和一条指示他杀死此人的命令——他必须在规定时间内完成任务，否则他将失去自己的家人...

Super Trip 4

两位哥哥带着两位弟弟精品旅行，来到了密阳，领略蕴藏着韩国的静谧之美的城市！

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

地狱乐队

摇滚音乐家TONY在来到大学城继续自己的演艺生涯时却接到了一个名叫“NEOWOLF”摇滚乐队的阻碍，不久后他得知乐队的成员竟是一群狼人……

中港丽人

故事的大意是讲，4名大陆来的女人为了赚钱偷渡香港，开始大家都对前景充满希望，但由于上头无良，克扣她们的收入，并指使手下偷掉她们的所有收入。当然，邪不能胜正，最后她们巧妙利用她们的身体作为武器，最后反败为胜。

22-23赛季NBA常规赛 勇士VS尼克斯

12月21日 22-23赛季NBA常规赛 勇士VS尼克斯

致命佈局

杰基（Jackie）是丈夫去世后的财富的女继承人，他终于与整形外科医生凯文（Kevin）再次找到了爱。 随着悲剧在她周围的继续，关于凯文和她已故丈夫的家人的秘密揭露了。