双喜临门

此文藝喜劇片為秦劍導演，王福齡配樂。故事描述李明珠（井莉）與朱國棟（金峰）同學變戀人，學成歸國，預備告知雙方父母後，便共結佳偶，卻不知兩者父親為死對頭，二人遂向母親提婚訊，直至寫請帖時，兩父方知，均反對婚事；後朱友代想出妙計，教朱、李裝死。朱父見愛子因婚姻不自由而死，竟答應死後成夫婦，朱、李馬上復活，朱父雖知上當，但仍答應婚事；但李父（梁醒波）識穿女兒扮鬼，更加固執，堅決不允許，更與朱父大打出手……

小叮当：羽翼之谜

在动物仙子（简·霍洛克斯JaneHorrocks配音）和小叮当（梅·惠特曼MaeWhitman配音）的帮助下，动物们浩浩荡荡的迁徙到了冬森林，冬森林实在是太美丽了，小叮当瞬间就被迷住了。之后，小叮当发现自己背上的翅膀竟然开始发光，她来到藏书室，好不容易找到了记载着翅膀发光缘由的书籍，却发现自己所需要的那几页书居然被虫蛀得斑斑驳驳。无奈之下，她只得前去寻求图书管理员的帮助，图书管理员告诉小叮当，她所寻求的答案就藏在冬森林之中，于是，小叮当踏上了寻求真理的旅途。在冬森林，小叮当遇见了铃兰花仙子（露西·海尔LucyHale配音），与此同时，一个隐藏了多年的秘密渐渐浮出水面。

新常态阵

该剧讲述女主人公虽然向往慢生活，却入职潮流最前线的数码杂志社，作为编辑在潮流最前线孤军奋战的故事。

金发的草原

一个是八十岁的老人，卧病在床六十年，突然相信自己只有二十岁，自己已经年老的现实只是一场梦。另一个是十八岁的少女，为生计到老人的家当帮佣，意外地，女孩的样子像极了老人二十岁时的梦中情人……

刘老根2

刘老根将龙泉山庄发展建设成为一个集旅游度假、餐饮娱乐和产业化农业于一体的龙泉企业集团。然而，企业做大了，刘老根反倒不知道该怎么做了。韩冰从国外回来，发现龙泉集团貌似繁荣，而管理上却十分混乱，跑、冒、滴、漏等浪费现象严重，遂提出改革意见。丁香、二奎为代表的中层以上干部成员，其实就是丁、刘两家的家族成员代表，他们早就结成了铁板一块，刘老根往下落实韩冰的改革意见，自然是想动谁都动弹不得。凤舞山庄总经理顾小红以取经为名挖走了龙泉山庄的人才和专利技术，刘老根将凤舞山庄告上法庭，然而官司却打输了。痛定思痛，刘老根这才意识到自己在商海中确实是个外行。于是，虚心向内行请教，面向社会招聘人才。不料掉进了冯乡长和胡言设下的陷阱，刘老根被骗得倾家荡产而精神失常。恰在此时，已经宣布与刘老根分手的丁香又回到刘老根身边，乡亲们为他俩举办了一个隆重而又悲壮的婚礼…

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

20230514英超联赛水晶宫VS伯恩茅斯

来自异乡的女人

一个四川籍俊俏的女人，来到太行西部山区为病故的丈夫讨要薪水，不料在西山村碰见三个无依无靠孤苦伶仃的孩子，阴差阳错来到这个家担当起母亲的职责，随后几次回家不成，自己由姨身份变为孩子真正的母亲……

东京婚约

幼時待過日本的比利時女孩隻身赴日，遇上了他的第一個日本學生。她帶著他將法語學得琅琅上口；他則帶著她走遍東京的大街小巷，甜美可人的異國情愫也正悄悄滋長。同樣改編自作家艾蜜莉諾彤的半自傳小說，一樣以日本為舞台，本片與《艾蜜莉的日本頭家》彷彿一體兩面，以輕盈逗人的語調遙相對話。

气球2018

1979年冷战高峰期，身在东德的冈特（大卫·克劳斯 David Kross 饰）和彼得（弗莱德里奇·穆克 Friedrich Mücke 饰）为了追求自由，用超过两年的时间筹画了一场“惊天大逃亡”：他们用有限的资源，自制了一个巨大的热气球，并打算用它载着家人逃到西德。不料，就在即将越过边境时，热气球却意外坠毁，引来东德秘密警察铺天盖地的调查。在紧迫的时间和严密的侦查之下，他们拼命打造了新的热气球，而在此同时，秘密警察也逐渐锁定了他们，一场分秒必争的绝命逃亡就此展开…

还我本色粤语

高家宝（任达华 饰）虽然是整天不务正业的黑道小卒，但胸中却充满了正义感，为了帮好友李坤（梁家仁 饰）定罪，高家宝锒铛入狱，可对于他的义举，李坤并没有知恩图报，恰恰相反，在高家宝坐牢的年月里，李坤和高家宝的女友王佩佩（龚慈恩 饰）结婚了。 　　出狱后，在哥哥高家杰（张翼 饰）的帮助之下，高家宝开始经营起自己的唱片店，就在人生逐渐步入正轨之际，见不得好兄弟王世亮（刘锡明 饰）被奸人陷害的高家宝，再一次被卷入了黑道的腥风血雨之中。在此过程里，高家宝邂逅了名叫姚淑贞（蓝洁瑛 饰）的女子，两人在几次的患难与共生死互存之后决定携手步入婚姻的殿堂。

楚留香新传之影子传奇国语

八月十五，中秋之夜。五大派掌门弟子离奇暴毙。盗帅楚留香不意卷入其中，被近珥五大掌门约定三月之内找出真凶。正当楚留香追查神秘人——影子之际，其红颜知己沈无心竟然成为受怀疑的对象，更由此引聘段二十年前的武林秘事。另一方面，沈无心之兄长地藏王秦震一统江湖的大业却己悄悄展开......